"Moving Forward," Rainer Maria Rilke




                                               The deep parts of my life pour onward,

                                               as if the river shores were opening out.

                                               It seems that things are more like me now,

                                               that I can see farther into paintings.

                                               I feel closer to what language can't reach.

                                               With my senses, as with birds, I climb

                                               into the windy heaven, out of the oak,

                                               and in the ponds broken off from the sky

                                               my feeling sinks, as if standing on fishes.

"Eyes that Last I Saw in Tears," T. S. Eliot



Eyes that last I saw in tears
Through division
Here in death's dream kingdom
The golden vision reappears
I see the eyes but not the tears
This is my affliction

This is my affliction
Eyes I shall not see again
Eyes of decision
Eyes I shall not see unless
At the door of death's other kingdom
Where, as in this,
The eyes outlast a little while
A little while outlast the tears
And hold us in derision.

"Porcupine at Dusk," Ingrid Wendt




Out of the bunch grass
out of the cheat grass
a bunch of grass waddles
my way.

Quill-tips bleached by winter four
inches down: crown of glory dark
at the roots: a halo
catching the sun's
final song:

No way could such steady
oblivion possibly live
up to legend, whatever
fear I might have had
is gone, but still I stop

Short on my after-dinner walk, no
collision course if I
can help it, thinking
at first it's the wind,
nudging a path out of the field

Or one of a covey of tumbleweed
lost like those today on the freeway,
racing ahead of my car that whole long drive
here to the banks of the Snake, to friends
so close they know
when to leave me alone.

As though I were nowhere around, the porcupine
shuffles the edge of the road,
in five minutes crosses
a distance I could have covered
in less than one

And disappears at last into cattails
and rushes, sunset, a vespers
of waterbirds, leaving me
still unwilling to move.

I am a sucker for scenes like this.
The slowest beauty can rush me.
And here I am,
all of my defenses down.

"Hokusai Says," Roger Keyes



Hokusai says


Hokusai says... Look carefully.
He says pay attention, notice.
He says keep looking, stay curious.
He says there is no end to seeing.

He says Look Forward to getting old.
He says keep changing,
you just get more who you really are.
He says get stuck, accept it,
repeat yourself as long as it is interesting.

He says keep doing what you love.

He says keep praying.

He says every one of us is a child,
every one of us is ancient,
every one of us has a body.
He says every one of us is frightened.
He says every one of us has to find
a way to live with fear.

He says everything is alive -
shells, buildings, people, fish,
mountains, trees.
Wood is alive.
Water is alive.

Everything has its own life.

Everything lives inside us.

He says live with the world inside you.

He says it doesn't matter if you draw,
or write books. It doesn't matter
if you saw wood, or catch fish.
It doesn't matter if you sit at home
and stare at the ants on your veranda
or the shadows of the trees
and grasses in your garden.

It matters that you care.
It matters that you feel.
It matters that you notice.
It matters that life lives through you.

Contentment is life living through you.
Joy is life living through you.
Satisfaction and strength
is life living through you.
Peace is life living through you.

He says don't be afraid.
Don't be afraid.

Look, feel, let life take you by the hand.

Let life live through you.

"Elegance," Hafiz

















It
Is not easy
To stop thinking ill
Of others.

Usually one must enter into a friendship
With a person

Who has accomplished that great feat himself.
Then

Something 
Might start to rub off on you
Of that

True
Elegance

"As the Plant That Never Blooms," Pablo Neruda



                    I do not love you as if you were salt-rose or topaz,
                    or the arrow of carnations the fire shoots off.
                    I love you as certain things are to be loved,
                    in secret, between the shadow and the soul.

                    I love you as the plant that never blooms,
                    but carries in itself the light of hidden flowers.
                    Thanks to your love a certain fragrance,
                    risen darkly from the earth, lives darkly in my body.

                    I love you without knowing how, or when, or from where,
                    I love you straightforwardly, without complexities or 

                         pride,
                    so I love you because I know no other way than this:
                    where "I" does not exist, nor "you,"
                    So close that your hand on my chest is my hand,
                    So close that your eyes close and I fall asleep.

"Washing the Elephant," Barbara Ras




Isn’t it always the heart that wants to wash
the elephant, begging the body to do it
with soap and water, a ladder, hands,
in tree shade big enough for the vast savannas
of your sadness, the strangler fig of your guilt,
the cratered full moon’s light fuelling
the windy spooling memory of elephant?

What if Father Quinn had said, “Of course you’ll recognize
your parents in Heaven,” instead of
“Being one with God will make your mother and father
pointless.” That was back when I was young enough
to love them absolutely though still fear for their place
in Heaven, imagining their souls like sponges full
of something resembling street water after rain.

Still my mother sent me every Saturday to confess,
to wring the sins out of my small baffled soul, and I made up lies
about lying, disobeying, chewing gum in church, to offer them
as carefully as I handed over the knotted handkerchief of coins
to the grocer when my mother sent me for a loaf of Wonder,
Land of Lakes, and two Camels.

If guilt is the damage of childhood, then eros is the fall of adolescence.
Or the fall begins there, and never ends, desire after desire parading
through a lifetime like the Ringling Brothers elephants
made to walk through the Queens-Midtown Tunnel
and down Thirty-fourth Street to the Garden.
So much of our desire like their bulky, shadowy walking
after midnight, exiled from the wild and destined
for a circus with its tawdry gaudiness, its unspoken
pathos.

It takes more than half a century to figure out who they were,
the few real loves-of-your-life, and how much of the rest—
the mad breaking-heart stickiness—falls away, slowly,
unnoticed, the way you lose your taste for things
like popsicles unthinkingly.
And though dailiness may have no place
for the ones who have etched themselves in the laugh lines
and frown lines on the face that’s harder and harder
to claim as your own, often one love-of-your-life
will appear in a dream, arriving
with the weight and certitude of an elephant,
and it’s always the heart that wants to go out and wash
the huge mysteriousness of what they meant, those memories
that have only memories to feed them, and only you to keep them clean.